Aristeïa · a Kleos Classics seminar · grades 7–12
μῆνιν ἄειδε θεά
“Sing, goddess, of the rage” — the first words of Western literature.
One book a week. A small circle of students reading the Iliad slowly enough to actually remember it — out loud, together, the way it was meant to be heard. Fall term reads Books 1–12; Spring finishes the poem.
Why we go slowly
It's easy to "cover" the Iliad in a few rushed weeks and walk away with nothing — plenty of students do the classics that way and can't recall a thing a year later. We do the opposite: one short book a week, read closely and argued over, so the poem actually stays with them.
A book of the Iliad is short — twenty-odd pages. A whole week on each means students go deep instead of skimming to keep pace, and the story sticks.
Epithets, similes, ring composition, the shield of Achilles. Students learn to see how Homer builds meaning, not just what happens next.
Every session is discussion, not lecture. Was Achilles right? Is Hector the real hero? Students defend a reading and change their minds out loud.
The Fall arc · Books 1–12
Fall term reads the first half of the poem — one book a week, read and discussed together — and ends at its great turning point, the wall of the Greeks broken. Spring picks up at Book 13 and carries it home.
Who's who, the judgment of Paris, and why a thousand ships sailed. We set the stage so no one drowns in Book 1.
A plague, a stolen prize, and the feud with Agamemnon. The wrath of Achilles begins.
A lying dream, a near-mutiny, and the great catalog of ships and men.
Paris and Menelaus duel for Helen while she names the heroes below.
One stray arrow reopens the war, and the gods choose sides.
A mortal runs so hot he wounds the gods themselves. What is a hero's peak?
The war's most human scene: a father, a wife, a child, at the gate. The heart of the poem.
Hector faces Ajax; the exhausted Greeks throw up a wall around the ships.
The king of gods forbids the rest to meddle, and Troy surges toward the sea.
They offer Achilles everything to come back. He refuses. The poem's great argument.
A spy mission in the dark — the strangest, most dangerous night of the war.
One by one the Greek captains fall, and the day turns desperate.
Hector smashes through the gate. The tide has turned — and Fall term ends on the brink.
Spring term · Books 13–24 · Jan – Apr 2027
Same rhythm — one book a week — through the second half, where everything the first half set up comes due:
the ships burn, Patroclus takes the field and falls, Achilles returns in terrible grief, Hector dies beneath the walls, and old Priam crosses into the enemy's tent to beg for his son's body.
Fall stands on its own — but this is where the Iliad breaks your heart. Students who finish Fall can continue with the cohort in Spring, or read the rest on their own with a foundation strong enough to do it.
How it works
Your teacher
Brady Nash holds a degree in Economics and has spent recent years in independent study of ancient languages and mythology — reading Homer in Greek alongside the wider epic tradition in Old English and Old Norse. He also brings years of experience teaching and coaching young people, including in classical education, and he loves nothing more than watching a teenager discover why this three-thousand-year-old poem still hits.
Tuition
Comparable live classical courses run $350–$450 a term before fees. Enroll one term at a time — Fall stands on its own — or bundle the full year and save.
Full-year bundle: enroll in both terms up front and take 10% off. • Sibling discount: 15% off each additional student. • Try it risk-free: full refund after the first session if it isn't the right fit.
On credit: Fall is a one-semester course (about a half credit); Fall + Spring together make a full English/Literature credit. You issue the credit; I provide the paperwork. See the questions below.
Enrollment
Seats are limited to keep discussion real. Tell me a little about your student and I'll follow up within two days with next steps and payment.
χαῖρε
Thank you — I'll be in touch within two days with next steps. Welcome aboard.
Questions
No. We start from zero. The first session lays out who's who and what the Trojan War is, and the reading guides keep the names straight. Curiosity is the only prerequisite.
I recommend Stanley Lombardo's for its readability, or Robert Fagles' if you want something more lyrical. Either works — I'll confirm the exact edition after you enroll so the whole cohort is on the same page numbers.
It's an honest poem about war, and we don't hide that. But it's handled the way a good teacher handles it — thoughtfully, in context, and pitched to the age in the room. Sixth graders and seniors get different discussion questions from the same text.
Every session is recorded and shared. Life happens; students catch up and rejoin the next week without falling behind.
None. The two sections are the same course — same teacher, same syllabus, same pace — offered on two days so you can pick what fits your week. Each section is capped at 8–10 students so discussion stays real, so if one fills, the other is your spot.
No — enroll one term at a time. Fall is a complete course on its own: it reads Books 1–12 and ends at the poem's great turning point, the moment Hector breaks through the wall. From there a student can continue with the cohort in Spring, or read the second half on their own with a strong foundation. If you know you want both, the full-year bundle saves 10%.
Yes. In homeschooling, credit is issued by you, the parent, and it's measured by hours of work. Fall on its own is a one-semester course and lands as roughly a half credit — a literature or Great Books elective. Fall and Spring together cover the whole poem across the year and make a full (1.0) English/Literature credit. I'm not an accrediting body, but I give you exactly what you need to record it: a course description, the weekly hours, graded essays (on the + Writing plan), and a progress report with a grade. Credit rules vary a little by state, and some families run it through an umbrella or cover school — either works.
Just one book of the poem — about 20–35 pages — and we read it together in class, discussing as we go. Whatever we don't finish, students complete at home, usually only a few pages. That's the whole point: a manageable amount, read closely, instead of a flood no one remembers.